Oversized tailoring in the tall grass outside Marfa, under a sky that refused to clear. Three faces, one quiet palette.

Dry Creek’s winter coats shot indoors, on a striped sofa in warm lamp light. Dressed for the cold, staying in anyway.

A concrete house over fresh snow, shot across two white days for a book about quiet buildings. Glass full of sky.

Swimwear shot at peak heat, when colour stops being subtle: blue sky, red towers and nowhere to hide from the sun.

Close portraits in available light: freckles, pores, a stray hair. What a face holds when nobody asks it to perform.